Isabelle Lomholt 
One Shelley Street vision was to reframe the requirements and performance of the 21st Century office. On behalf of the Macquarie Group, Clive Wilkinson Architects, as design architect and Woods Bagot as executive architect.
The building is designed in a simple gesture. The star shaped roof is a lifted landscape creating a series of panoramic rooms looking on into the forest.
Projects that range from a church in England to a prison in Norway, will go head to head at the Festival, which is designed to celebrate the aspirations and concerns of the international architectural community.
When designing we always work with our manifesto which puts focus on people, needs and context. In special projects we write several short stories describing what could take place in the building.
The building, made up of 5 blocks housing the museum functions and grouped according to usage affinities and public traffic, rises from a ground floor crossed by an internal passageway connecting Atlântica Avenue to Aires Saldanha Street.
The thirty metres high tower has an aerodynamic design that becomes a landmark, an element that wrapping as the bodywork of a car around the bearing structure of the engine.
Great Barrier Island House: Residential Development in New Zealand – design by Crosson Clarke Carnachan Architects – World Architecture Festival 2010 – Shortlisted
Architect: KELVAN. The present building is a commercial-office building located in a rectangular site which has approximately 15 meters of frontage along the west side of Vali Asr Avenue between Fatemi and Zartosht junctions.
Office Building in Khorramshahr, Iran architectural design by architect Armin Daneshgar inthe capital of Khorramshahr County, Khuzestan Province.
Haghani Commercial Complex, Tehran, Iran: contemporary Iranian building design by Daneshgar Architects
Boroujerd is a city in western Iran. While playing with different motifs and considering the formal variations, we have remodeled an existing historic ornament at Jameh mosque of Boroujerd and extracted a new object out of it.
Summer, sand and seashells were the inspiration for the set designed by Chris Bosse LAVA and Amanda Henderson Gloss Creative for Myer Spring Summer 11 Collections Launch held in Sydney.
The project brief was to establish the Cultural Centre as the pre-eminent performance and exhibition arts facility in the region: NSW architecture development design by Tonkin Zulaikha Greer Architects
The building design and materials were developed with careful consideration for their Rocky Mountain context and Vail Village surroundings. Barnes Coy’s concept began with the realization that Vail, a community created in 1962 to house and feed transient winter tourists
A starting point was that a new art museum, as a public and cultural building, represents a rare opportunity to create a new node within a city.
In order to have a fair judgment about our design, you need to consider all aspects we have incorporated in the design. One image which is made public in internet doesn’t say the reality about our design.
The structure is based on two triangular based geometries, alternating in position as they array vertically. This results in a constant morphing between these 2 shapes.