Emilio Ambasz architect, University of Bologna News, Green Building Design
Emilio Ambasz architect
25 January 2022
Emilio Ambasz Book
A new book written by Emilio Ambasz:
EMILIO AMBASZ. GREEN ARCHITECTURE & DESIGN FAIRY TALES
The book edited by Fulvio Irace collects for the first time the corpus of writings by Emilio Ambasz, father, poet, and prophet of green architecture: fables, notes, stories, fragments and notes that lead to the heart of the poetic and creative Universe of the great Argentine inventor.
book cover:
Just as Ambasz understands architecture as the search for a spiritual home, the poetic essence of his fables – accompanied by the drawings of Daniela Blandino – “resists time with its core of truth disguised as children’s fairy tales”, writes Irace. Extraordinary personality, Emilio Ambasz has crossed and crosses the world of creativity in the broadest sense of the term in many ways.
With the power of his anticipatory gaze, he wanted to represent the world of forms of a wonderful possible, combining, with his ‘gentle manifesto’, spiritual and material project, nature, and humanity.
Emotional and sensual, his projects are based on ideas and thoughts destined for a different approach to existence, and the collection of texts in this book retraces some of his most iconic creations, together with the tales of loved or dreamed cities and the dialogues with architects and artists with whom he established a singular relationship of ‘elective affinities’.
“The invention of the fables that I have written in the last fifty years – as Ambasz likes to remind – is the fulcrum of my working methods, not just a literary accessory. The subtext of a fable, after all, is a ritual, and it is precisely in support of the rituals that most of my work develops”.
EMILIO AMBASZ. GREEN ARCHITECTURE & DESIGN FAIRY TALES, edited by Fulvio Irace, with illustrations by Daniela Blandino, publisher Corraini Editore
14 June 2021
Emilio Ambasz Architecture News
Emilio Ambasz to receive an honorary degree from the University of Bologna (Italy)
Known as the trailblazer for “Green Architecture“, the architect/engineer who went against the grain in the ’70s by covering his buildings with greenery will receive an honorary degree in Building Engineering – Architecture from the University of Bologna.
photo : Wade-Zimmerman
The ceremony will take place on Friday 25 June, at 4.30 p.m., at the Church of Santa Cristina (Piazzetta Giorgio Morandi, 2 – Bologna), when Emilio Ambasz, the trailblazer for “Green Architecture”, will be awarded his honorary degree. After a welcome by the Rector Francesco Ubertini and the Head of the Architecture Department Fabrizio Ivan Apollonio, Emilio Ambasz will receive an honorary degree in Building Engineering – Architecture. Closing the ceremony will be music from the Collegium Musicum Almae Matris.
Banca degli Occhi – Venice, Italy, 2009:
photo courtesy of Emilio Ambasz & associates
The University’s Architecture Department explained the reason for Emilio Ambasz’s recommendation to be awarded the honorary degree as follows: “The Argentinian architect and designer was, from 1969 to 1976 curator at the Department of Architecture at the Museum of Modern Art of New York. Ambasz’s distinctive style as a pioneer is a combination of buildings covered with gardens, which he describes as “green on grey”: he uniquely went against the grain of the post-modernist and de-constructionist trends of the ’70s, covering his architecture with greenery.
Botanical Center – San Antonio, Texas, USA, 1982:
photo courtesy of Emilio Ambasz & associates
As a designer Ambasz is constantly interested specifically in the relationships between anthropic space and natural space, and he adopted architectural and technological solutions that ensured his architecture was both highly integrated with its setting and improved the perceptual and habitational quality of the spaces. The intention, however, was not limited to the figurative dimension of the architectural results, but extended to the technological significance of the solutions, in terms of both construction feasibility and performance.”
ENI headquarters – Rome, Italy, 1998:
photo courtesy of Emilio Ambasz & associates
Ambasz has demonstrated his vocation in the field of industrial and mechanical design, where he has conducted his own personal research into the development of design components and products that have led to numerous patents in his name (more than 220). Interaction with the world of industrial processes, and more generally with the dimension of problem solving in engineering, is a distinctive feature of his work as a design engineer.
Born in Argentina (13 June 1943, Resistencia, Chaco), Emilio Ambasz is also a citizen of Spain by Royal Grant. He studied at Princeton University, where he completed the 4-year undergraduate degree course in one year and received a Master’s degree in Architecture from the same university the following year. He was curator of Architecture and Design at the Museum of Modern Art of New York (1969-76), where he headed and curated numerous architecture and industrial design exhibitions, including the legendary exhibition Italy: The New Domestic Landscape, in 1972 (bringing Italian design objects to the attention of the whole world); The Architecture of Luis Barragan, in 1974; and The Taxi Project, in 1976.
Ospedale dell’Angelo – Venice, Italy, 2008:
photo courtesy of Emilio Ambasz & associates
An honorary member of the American Institute of Architects and of the Royal Institute of British Architects, Ambasz has twice been president of the Architectural League (1981-85). He has taught at the School of Architecture at Princeton University as Philip Freneau Preceptor of Architecture and was a visiting professor at the Hochschule für Gestaltung in Ulm, Germany.
Some of the highlights among his architecture projects include the Grand Rapids Art Museum in Michigan, winner of the Progressive Architecture Award in 1976; the Casa de Retiro Espiritual in Seville, Spain, winner of the Progressive Architecture Award in 1980; the Conservatory of the San Antonio Botanical Garden in Texas, winner of the Progressive Architecture Award in 1985, of the National Glass Association Award for excellence in commercial design (1988) and of the Quaternario Award (1990); and the Acros centre in Fukuoka, Japan, which won the highly prestigious American Institute of Architects’ Business week/Architectural Record Award (2000) and first prize from the Architectural Institute of Japan (2001).
Italian Pavilion – Venice, Italy, 2021:
photo courtesy of Emilio Ambasz & associates
He also won First Prize and Gold Medal in the competition to design a master plan for the Universal Expo in 1992, held in Seville in Spain, to celebrate the 500th anniversary of the discovery of America. The headquarters he designed for the Financial Guaranty Insurance Company in New York won the Grand Prize at the International Interior Design Awards in the United Kingdom (1987), as well as the IDEA Award from the Industrial Designers Society of America in 1986.
He won first prize in the urban planning competition for the Eschenheimer Tower in Frankfurt, Germany (1986). His Banque Bruxelles Lambert in Lausanne, Switzerland, won the Annual Interiors Award (1983).
Ambasz represented the United States at the Biennale di Architettura in Venice in 1976.
Since 1980 Ambasz has been Chief Design Consultant for Cummins Engine Co. He has patented numerous industrial and mechanical designs, and his Vertebra chair – the first automatic ergonomic chair in the world, developed with G. Piretti, which triggered a new industry for the whole sector – is included in the design collections of the Museum of Modern Art and the Metropolitan Museum of Art, New York. MoMA also included his 3-D Geigy Graphics poster and his Flashlights lamp in its design collection.
ACROS centre Fukuoka, Kyushu Island, Japan, design by Emilio Ambasz:
image courtesy of Emilio Ambasz & associates / ambasz.com
Important Emilio Ambasz solo exhibitions have been held all over the world, from MoMA in New York (twice) to the Milan Triennale (twice), to the Reina Sofia in Madrid, not to mention Tokyo, Geneva, Bordeaux, Zurich, Chicago, Philadelphia, Mexico City, San Diego and Saint Louis, celebrating his unique design, creative flair and moral commitment.
He has four Compassi d’Oro (1981, 1991, 2001, 2020 – the last one for his career), and he was named “Commander of the Order of the Star of Italy” in 2014, for “his contribution to Italian culture”. Ambasz has written numerous books on architecture and design, including Natural Architecture, Artificial Design, published for the first time by Electa in 2001 with an extended edition published four times since then.
Emilio Ambasz to receive an honorary degree from the University of Bologna images / information received 140621
Previously on e-architect:
Architecture Design
Emilio Ambasz Research Institute at MoMA NY
photos courtesy of Compasso d’Oro
Emilio Ambasz Research Institute at MoMA NY
MoMA Emilio Ambasz Research Institute, New York, NY, USA
photo courtesy of Emilio Ambasz & associates
Emilio Ambasz Compasso d’Oro award
ACROS centre, Fukuoka City, Kyushu Island, Japan
photo courtesy of Emilio Ambasz & associates
Fukuoka’s ACROS centre by Emilio Ambasz
Italian Pavilion at the 17th International Architecture Exhibition
Casa de Retiro Espiritual, 41880 El Ronquillo, Seville, Spain:
photo courtesy of Emilio Ambasz & associates
Italian Pavilion Venice Biennale 2021
Architecture
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